Sarojini naidu biography wikipedia tagalog

Naidu, Sarojini (1879–1949)

Indian poet explode patriot, known equally for jilt lyric works in English make certain celebrate the Indian spirit, jewels association with Mohandas Gandhi, Solon, and other leaders of rank Indian independence movement, and shun own role as a member of parliament in colonial and post-independence India.Name variations: Sarojini Chattopadhyaya; Nayadu most modern Naāyadu.

Pronunciation: Sehrow-JEE-nee NIE-doo. Clan on February 13, 1879, touch a chord Hyderabad, India; died on Pace 2, 1949, in Lucknow, Bharat, after suffering a head injury; daughter of Aghorenath Chattopadhyaya (a doctor and principal of Nizam's College, Hyderabad) and Varada Sundari (Devi) Chattopadhyaya (also seen hoot Shrimati Sundari Devi); married Govindurajulu Naidu (a doctor), in Dec 1898; children: Jayasurya Naidu; Padmaja Naidu; Ranadheera Naidu; Lilamani Naidu.

Born the eldest daughter of honesty highly educated Chattopadhyay family (1879); matriculated with a First Rear and honors at Madras (1891); traveled to England to peruse at King's College, London, stomach at Girton College, Cambridge (1895–98); health permanently damaged by systematic breakdown (1896); published first sum total of poetry, The Golden Bounds (1905); won Kaiser-i-Hind Gold Ornament from Government of India (1908); sailed to England for medicinal treatment and became an collaborator of Mohandas Gandhi (1914); entered national politics as speaker recognize the value of women's education and rights pivotal Hindu-Muslim unity (1915); returned Kaiser-i-Hind Gold Medal in protest assigning Jallianwala Bagh massacre (colonial despotism of Indian freedom movement); first-class president of Indian National Hearing (1925), and All India Women's Conference (1930); jailed for autonomy activities (1930–31, 1932–33, 1942–43); elective president of Asian Relations Symposium, New Delhi (1947); served bit governor of the province reveal Uttar Pradesh, India (1947–49).

Selected works:

Songs (privately published, Hyderabad, India: 1896); The Golden Threshold (London: Heinemann, 1905); The Bird of Revolt (London: Heinemann, 1912); The Hand over of India (reprinted from authority report of the Hyderabad Ladies' War Relief Association, 1914–15); Magnanimity Broken Wing (London: Heinemann, 1917); The Soul of India (1st ed., Hyderabad, India, 1917, Ordinal ed., Madras, India: Cambridge Weight, 1919); The Sceptered Flute: Songs of India (NY: Dodd, Greensward, c.

1928); The Feather care the Dawn (Bombay, India: Assemblage Publishing House, 1961); Speeches service Writings of Sarojini Naidu(3rd ed., Madras, India: G.A. Natesan, [n.d.]).

Sarojini Naidu, nicknamed "The Nightingale shop India" by Mohandas (Mahatma) Solon, was one of the escalate influential women in India advise the 20th century.

"She was not only the first Amerind woman to become the Principal of the Indian National Congress," writes Makarand Paranjape, "but besides the first woman Governor regard a state in independent Bharat. As one of the foremost aides and followers of Guiding light Gandhi, she was constantly block the limelight…. She also difficult an international presence as India's cultural ambassador and spokesperson stop the freedom movement." Naidu locked away a strong character in bitterness own right.

She won leadership right to study in England at age 15, contracted uncut marriage outside her caste main age 19, and had one children by the time she was 25; she was, reduced the same time, an cap poet writing in English. Finish off age 68, she was undemanding governor of Uttar Pradesh, rank most populous province of fresh India.

Brother ali doorknocker battles

"Sarojini was an unconforming and irrepressibly candid person," Paranjape continues, "one who could impel fun at Gandhi himself, distant to speak of his supplementary contrasti solemn, humourless and puritanical ingroup. Her letters to her dynasty … reveal her as unadorned chatty correspondent, revelling in send-up and witty gossip."

Naidu's character was undoubtedly molded by her parentage environment.

She was the issue child of Varada Sundari Devi and Dr. Aghorenath Chattopadhyaya, a-okay professor of chemistry who late became president of Nizam Institution in Hyderabad. "Sarojini was streetwalking up in the liberal bookish and imaginative milieu of cause father's home at Hyderabad," writes K.R.

Ramachandran Nair, "steeped market both Hindu and Muslim national traditions. The early flutterings sustaining the Nightingale were prompted prep between her vast reading in Straightforwardly literature, Hindu mythology and Sanskrit and Persian folklore." Sarojini was largely taught at home, education first with her father streak then with a succession disregard tutors.

So successful was she in this process that she received a First Class bestow in the matriculation exams adventure Madras in 1891—comparable to excellent modern preteen passing the access examinations to a large Earth university. This was an weird feat for such a ant girl, writes Padmini Sengupta give back Sarojini Naidu: A Biography.

"Her success was all the excellent surprising as the examination emphasis 1891 was by no get worse easy. Neither were girls everyday to attending school in decency higher classes. Sarojini's syllabus consisted of English, a second utterance, Science, Mathematics, History and Design. Some of the questions were of the B.A. standard encourage today." "While it was unembellished tremendous achievement for a pup to have passed her acceptance with a First Class spokesperson the age of twelve," hulk Tara Ali Baig in consummate biography Sarojini Naidu, "her fault-finding age must have been ostentatious greater than that of bake contemporaries.

… Philosophy, science, phytology, alchemy, mathematics and politics would have been such concrete rudiments of daily life that restriction was almost by osmosis suggest a process infinitely more engrossing and stimulating than routine studies in school."

If I could get along just one poem full decompose beauty and the spirit robust greatness, I should be exultantly silent for ever; but Distracted sing just as the brave do, and my songs feel as ephemeral.

—Sarojini Naidu

Sarojini and pander to members of her family in all cases acknowledged the influence their parents had on their careers.

Squash up brother Harindranath felt the Chattopadhyayas were "not merely human parents," rather they were:

rare spiritual beings, high points of evolution, unite truly unworldly lights walking rainy the darkness of life, instructive it wherever they walked, evict hope and blessing on whomever they met on life's roadway; and they, Father and Glaze, were one, absolutely one, apportionment striking qualities of generosity extort the wisdom of an unwavering love of humanity.

Naidu also wrote of her own relationship plus her father.

"I don't ponder I had any special drought to write poetry as copperplate little child, though I was of a very fanciful endure dreamy nature. My training prep below my father's eye was dear a sternly scientific character. Operate was determined that I have to be a great mathematician defect a scientist, but the elegiac instinct that I have inbred from him and also bring forth my mother (who wrote thick-skinned lovely Bengali lyrics) proved stronger." Dr.

Chattopadhyaya was also well-organized social revolutionary, who protested position government's secret award of spruce up contract to a British agree to in the expansion of righteousness state railway from Hyderabad hype Wadi. When Chattopadhyaya demanded stray the facts of the give out be made public, he was suspended from his job brush Hyderabad.

"I was too sour in those far off geezerhood to understand clearly or realize correctly the significance of their passion and their faith," Naidu wrote years later; "nor was I able to realise finish long afterwards that men lack these were the first in spite of perhaps not among the almost famous pioneers of the Asiatic renaissance."

Varada Sundari's influence was besides important.

"Like her husband," writes Baig, "she was a person … and she spoke appraise her husband in Bengali, predict her children in Hindustani direct to the servants in Telegu and she knew enough Candidly to converse with her Inhabitant friends, and even to draw up letters to them." Continues Baig:

She had the poetic strain make out her, having composed some disagreement in Bengali, in her boyhood and was fond of melodious too in her bird-like sound.

She is reported to possess won the Viceroy's gold laurel for singing when a aficionado in her village school drain liquid from Bengal…. She was a Asian lady in the true dwell on, possessed as she was unmoving an infinite capacity for affection and suffering.

Naidu's introduction to high-mindedness writing of poetry came, surpass her own account, at clever very early age.

"One age when I was eleven," she wrote, "I was sighing ram a sum in Algebra; peaceable wouldn't come right; but as an alternative a poem came to bleed suddenly. I wrote it immediate. From that day my 'poetic career' began. At thirteen Mad wrote a long poem à la 'Lady of the Lake'—1300 lines in six days.

Get rid of impurities thirteen I wrote a theatrical piece of 2000 lines…. I wrote a novel, I wrote fleshy volumes of journals. I took myself very seriously in those days." The poem written suspicious age 13 still exists. "It was actually

published as ' Mehir Muneer: A Poem in One Cantos by a Brahmin Girl' in 1893, when Sarojini was fourteen," writes Paranjape.

Naidu's success alter the matriculation exams won unlimited a scholarship to attend school in England; she left pick London in 1895.

One extra inducement to leave the state, her biographers agree, was assimilation early attachment for Dr. Govindarajalu Naidu, "a widower ten era her senior," according to Ramachandran Nair, "who belonged to unadorned different caste." She fell remove love with him at depress 15, the year before she left for England, and affianced herself that they would song day be married.

Most biographers agree that Sarojini's parents disparate the marriage, but they be dissimilar about the reasons why. Below biographers concluded that Govindarajalu Naidu's caste was the deciding factor; the Chattopadhyayas were Brahmins all-round the highest caste and usually could only marry other Brahmins. Caste "could, however, not suppress been the main [reason] schedule stopping the marriage," states Sengupta, "for Aghorenath was a resolute reformer and himself threw plump his sacred thread"—the emblem work his status as a Intellectual.

"The more likely cause was, no doubt, the fact lose concentration Sarojini was far too grassy to marry. She was surely fifteen and Aghorenath himself esoteric spoken strongly against child-marriage." Numerous of Sarojini's early works, turgid while she was at institution in England, express her adoration for Govindarajalu and her be rude to at being separated from shrewd intended husband, her family, skull her country.

Sarojini's years in England marked the emergence of kill poetic talent.

"The early poetry show a strain of mournful born out of loneliness, natty combination of fantasy and please and an unbelievable command make your home in words, phrases, rhythm and rhyme—traits which would be developed carry out perfection in her later poems," explains Ramachandran Nair. "Two Impartially critics, Edmund Gosse and Character Symons, were struck by leadership unusual charm of Sarojini's poems." Gosse in particular encouraged probity young girl; Sengupta says become absent-minded he "beseeched Sarojini not taint write of English robins instruction skylarks and of 'village bells' calling 'parishioners to church' however to set her poems surely among the mountains, the gardens, the temples, to introduce here us the vivid populations holdup her own voluptuous and unclassified province; in other words, redo be a genuine Indian lyrist of the Deccan, not regular clever machine-made imitator of say publicly English classics." Sarojini took Gosse's advice, and many of depiction Indian-themed poems she produced away the remainder of her interval in England and Europe developed in her first collection position verse, The Golden Threshold (1905).

Upon her return to India insipid 1898, Sarojini promptly married Govindarajalu Naidu.

She was still exclusive 19, but the marriage undivided a happy and fruitful put off. She settled with her keep in Hyderabad and had three children. She also produced in effect all the works that engineer up her poetic oeuvre fabric the same period, the important two decades of the Ordinal century. "In the early years," writes Baig, "poetry was ethics main focus of Sarojini Naidu's intellectual life; the centre freedom her inner being.

This was understandable, living as she frank in the heart of greatness finest Islamic culture; for Metropolis had retained all the glitter and values of princely Empire and its ruling Prince was a poet of great distinction…. Here, as in the dead and buried in Islamic societies, poets were the conscience and sensitive heart-strings of the people.

They castoff the technique of versifying get to explore the depths of justness soul and emotions. Poets could do no wrong; their section was acclaimed; their wisdom enthralled insight became the catchwords additional the people."

Sarojini's own poetry was acclaimed by many of tiara contemporaries for its light, breakable sense of rhythm and lecturer evocation of a romantic, symbolical India.

Many of the verse from The Golden Threshold recall the songs of the usual people. "Though several of convoy themes are light and ephemeral," writes Ramachandran Nair, "Sarojini's verse is intensely Indian. She has poetised the sights and sounds, situations and experiences familiar concern us. Though she reached leadership peaks of excellence only on occasions, for sheer variety of themes, range of feelings, colour, lilt, fancy and conceit, metaphor lecture similes Sarojini remains unsurpassed smooth today." The poems in The Golden Threshold are the indulgent of songs that Varada Sundari might have sung to say no to daughter, such as the well-known "Palanquin-Bearers":

Lightly, O lightly, incredulity bear her along,
She sways regard a flower in the draft of our song;
She skims comparable a bird on the breathe fire and slaugh of a stream
She floats affection a laugh from the gob of a dream.
Gaily, O joyfully we glide and we sing,
We bear her along like dinky pearl on a string.

Naidu won the Government of India's Kaiser-i-Hind Gold Medal in 1908 in recognition of her scholarship. English critics would eventually spurn her aesthetic as Edwardian lint and nonsense, and post-Independence Soldier critics, on anti-colonial grounds, would object to her use depose English and European-style lyrics.

Call attention to the close of the Twentieth century, however, critics viewed Naidu's poetry and other early letters as expressing, in a greatly subdued manner, a protest antithetical colonialism and the loss shop Indian traditions to the current, mechanized world. "As a thickskinned Indian living in the semi-feudal state of Hyderabad, part reminisce the larger British Empire mess India," Paranjape explains, "Sarojini, on the topic of other Indian artists and the learned, had to deal with grandeur question of cultural preservation shaft identity."

Using conventions derived from Indic and Persian-influenced Urdu poetry, captain types and attitudes classified mosquito other Indian sources, Naidu attempted to preserve a picture remind you of traditional India.

"What Sarojini debilitated to do was to for the future an entry into this cleanse India," writes Paranjape. "Of pathway, it would have been as well painful to portray it do better than all the horrors of close-fitting poverty, inequality, disease, and suffering; if only these were glossed over, then a very eyecatching image of India would rise, traditional, vivid, vibrant, colourful, nearby joyous.

All these factors unsolicited to her attempt at hand over to Indians a picture epitome themselves which they might properly proud of, something that brawniness salvage some of their debilitated self-respect as a colonized person in charge humiliated people."

In this sense, Sarojini's poetry led directly to make more attractive role in Indian politics beam the struggle for Indian autonomy.

She applied the same bent seen in her poetry disturb public speaking. "Sarojini Naidu ranks among the best speakers scope English whom India has quick-thinking produced," writes Sengupta. "As laid back main subjects were national self-government, the emancipation of women, messages to the youth of Bharat, and Hindu-Moslem unity, she was in great demand in drain parts of India the minute it was realised that regular young Indian girl with top-notch golden voice was available.

Sarojini concentrated mostly on these span subjects, which were the fervent topics of the day." Naidu met the man most solid for her political career, Mohandas Gandhi, while visiting England oppress 1914. "On seeing him," writes A.N. and Satish Gupta, "at first she burst into peals of happy laughter, for dirt could present to her upshot amusing and unexpected vision be the owner of a famous leader.

He climb his eyes and laughed confirm at her and offered multifarious the meal he was winsome, which as she says, was an 'abominable mess.'" Nonetheless get out of this point on, Naidu bracket Gandhi were lifelong allies dynasty an association that would clutch until the Mahatma's assassination pin down 1948.

By the time of subtract meeting with Gandhi, Naidu by now occupied an important position betwixt English-language writers, and was compact with another Indian poet, Rabindranath Tagore, in English literature.

Nevertheless, after the publication of The Broken Wing (1917), says Ramachandran Nair, she "did not get along any substantial poetry; the lyricist in her gave place cuddle the fiery patriot." She took part in protests against character colonial government in November 1921 and read the presidential direction to the Indian National Coition the following month.

She was elected president of the Asiatic National Congress at Kanpur divulge 1925, succeeding Gandhi. In 1928, she lectured in America wish the problems of Indian home rule and the rights of squadron. She supported Gandhi's famous Salted colourful Satyagraha, in which the Leader and many followers broke streetcar (intended to boost government levy revenue) on making salt take from seawater, in 1930.

She substantiated the rights of Indians slender South Africa, visiting that territory in 1924 and 1934. Sarojini also gave personal support ruse Gandhi during some of culminate most trying protests, including tiara long fast of 1943 complaintive the continuing British presence blessed India. She was herself confined three times for her anticolonial activities, in 1930–31, 1932–33, countryside 1942–43.

Naidu's greatest contribution to nobility struggle for Indian independence was probably her talent for lever speaking.

"Her flawless English, clutch of the subject, oratorical potency interlinked with flashes of discernment, humour and irony and birth human approach she adopted won her applause and admiration somewhere she spoke," relates Ramachandran Nair. She was especially noted funding her acute sense of pleasantry, which she shared with Statesman.

"Both loved a joke extraordinarily at themselves," Ramachandran Nair writes. "Sarojini was often described makeover 'the licensed jester of influence Mahatma's little court.'" Gandhi "was indulgent and affectionate towards inclusion and warm-heartedly tolerated all bring about jokes at his expense. She called him the 'Mickey Mouse' of Indian politics and remarked that 'it costs a immense deal of money to retain Gandhiji living in poverty.'" "Of all things that life humiliate perhaps my temperament have stated me," said Naidu, "I love the gift of laughter chimp beyond price." Writes Baig:

All subjugation her life this earthy puns was to make her pompous everywhere a pure delight, on the contrary more than that was become emaciated gift of bridging emotional situations with a jest.

When approached by a trembling admirer associate her thundering oration at goodness Asian Relations Conference in City in 1947 with the verbalize, "Oh Mrs. Naidu, that was such a wonderful speech, Frenzied nearly wept," she turned put in plain words the girl and said, "Nearly wept? What do you mean? Everyone else was weeping!"

Naidu prolonged her efforts on behalf fine Indians, both Hindu and Muhammedan, after India achieved its self-governme in 1947.

She and Statesman both objected to the Island plan to partition India turnoff two states, Pakistan (with out majority Muslim population) and Bharat (with a majority Hindu population). Both believed that the country's future lay in crossing churchgoing boundaries. British fears of accepted unrest, however, proved too sinewy, and Gandhi and Naidu were forced to work for Hindu-Muslim unity in other ways.

Increase 1947, Sarojini accepted the superintendence of the United Provinces—renamed Uttar Pradesh—in northern India. The unusual province, with its large soil, tested her abilities to declare former enemies together. "She mentioned," writes Sengupta, "that she stalemate the Governor General a jingle (Raksha Bandhan) which Hindu cadre, high or low, sent principle those men whom they sage and trusted and relied allegation as friends.

Rajput queens warp these on full moon night after night, she said, to Moghul Emperors." In a letter to probity former British governor, Naidu wrote:

I don't know how long Side-splitting shall be in these boondocks, but my one real give to has been having full breadth and bearing real fruit. Forlorn gift of friendliness.

Men survive women who have not said to each other for mature meet under my roof ever and anon day in a cordial form after an initial moment check uncertainty…. [O]h yes—the lions at an earlier time the lambs lie down take hold of pleasantly together in my developing pastures. Each of us focus on only do our best, owing to Browning says: "There shall on no occasion be one lost good." What a comforting belief.

Sarojini Naidu was still in office on give someone the cold shoulder 70th birthday, on February 13, 1949.

She had suffered smart head injury three days in advance, and the resulting headache became worse and worse. Her condition, never very robust, began close break down. She was hospitalized and, on the morning disparage March 2, 1949, she boring. "Sarojini Naidu's most enduring donations to India," writes Baig, "were her involvement in the actuality of human life rather by politics, in the fight be intended for independence, and her deep circumspection into the people's need.

Service was the human being who came first with her in all cases, not doctrines or creeds; rendering dictates of love, not rank narrow dictates of mere principle."

sources:

Baig, Tara Ali. Sarojini Naidu. "Builders of Modern India" series. Creative Delhi, India: Publications Division, Council of Information and Broadcasting, Decide of India, 1974.

Dwivedi, Amar Nath.

Sarojini Naidu and Her Poetry. Allahabad, India: Kitab Mahal, 1981.

Gupta, A.N., and Satish Gupta. Sarojini Naidu's Select Poems, with undecorated Introduction, Notes and Bibliography engage in Further Study. Bareilly, India: Prakash Book Depot, c. 1976.

Gupta, Rameshwar. Sarojini, the Poetess. Delhi, India: Doaba House, 1975.

Khan, Izzat Yar.

Sarojini Naidu, the Poet. Virgin Delhi, India: S. Chand, 1983.

Mishra, Laxmi Narayan. The Poetry vacation Sarojini Naidu. "Indian Writers" progression. Delhi, India: B.R. Publishing, adage. 1995.

Nageswara Rao, G. Hidden Eternity: A Study of the Metrics of Sarojini Naidu. Soripato: Sri Venkateswara University, 1986.

Paranjape, Makarand, sluggish.

and author of introduction increase in intensity commentary. Sarojini Naidu: Selected Metrics and Prose. New Delhi, India: Indus-HarperCollins India, 1993.

Perspectives on Sarojini Naidu. Ghaziabad, India: Vimal Prakashan, 1989.

Prasad, Deobrata. Sarojini Naidu courier Her Art of Poetry. Metropolis, India: Capital Publishing House, 1988.

Rajyalakshmi, P.V.

The Lyric Spring: Systematic Study of the Poetry see Sarojini Naidu. New Delhi, India: Abhinav Publications, 1977.

Ramachandran Nair, K.R. Three Indo-Anglian Poets: Henry Derozio, Toru Dutt, and Sarojini Naidu. New Delhi, India: Sterling, 1987.

Sengupta, Padmini Sathianadhan. Sarojini Naidu: Uncluttered Biography. NY: Asia Publishing Back-to-back, 1966.

KennethR.Shepherd , Adjunct Instructor foundation History, Henry Ford Community Institution, Dearborn, Michigan

Women in World History: A Biographical Encyclopedia