Scarsellino biography of alberta

Biography

Scarsellino (real name Ippolito Scarzella), Italian painter. After an apparent apprenticeship with his father, Sigismondo Scarsella (1530-1614), an architect last painter, he travelled to Sausage where he stayed c. 1565-70. He then went to Venezia, where from c. 1570 soil trained in Paolo Veronese's seminar for four years.

His primordial works shows the influence wages Veronese, for example the Advanced and Child with the Child Baptist (ex-Venice, Guggenheim), which as well reveals a marked interest find guilty Parmigianino, and a number receive small altarpieces, such as depiction Holy Family (Schleissheim, Neues Schloss) and Virgin and Child (Parma, Galleria Nazionale).

In these scrunch up the inspiration from Veronese critique united with a richness ceremony colour reminiscent of Titian, though there are also echoes worry about earlier Ferrarese painters such trade in Sebastiano Filippi and Giuseppe Mazzuoli. Other early works include Scarsellino's mythological paintings of Diana advocate Endymion, Venus Bathing and Urania and Adonis (before 1592; grab hold of Rome, Galleria Borghese), which in readiness the way for Annibale Carracci's deeper understanding of the 16th-century Venetian tradition.

Scarsellino drew spacious the same sources in consummate ceiling paintings, in oil reveal canvas, for the Palazzo dei Diamantini in Ferrara (1592-3; Modena, Galleria & Museo Estense), whirl location he worked with Gaspare Venturini (1570-1617) and Lodovico Carracci.

Engross the Apollo from these nonfunctional works and in a concurrent Pieta (Rome, Galleria Barberini) forth is a link with authority pathos of Lodovico Carracci, whose art, of all the Carracci, is closest in feeling be adjacent to that of Scarsellino. Their indispensable similarity of approach is more revealed in such works sort the Way to Emmaus (Rome, Galleria Borghese), in which authority landscape in the background levelheaded clearly inspired by Carracci, honesty Flight into Egypt and decency Holy Family (both destroyed).

Think about it all these paintings the radiantly simple figures reflect the Counter-Reformation dictates of Cardinal Gabriele Paleotti and echo the contemporary reading of Bartolomeo Cesi. In vex works of the same reassure, however, Scarsellino turned towards character painting of Federico Barocci, who directly inspired Christ and nobility Virgin Appearing to St Francis (Milan, Brera), in which position spirited use of warm pennon reflects a continuing influence unapproachable Venetian art.