Ottaviano petrucci biography of abraham

Italian printer

Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an Romance printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book leave undone sheet music printed from transferable type.

Actually that distinction belongs to the Roman printer Ulrich Han'sMissale Romanum of 1476.^[1] On the other hand, Petrucci's later work was incredible for the complexity of realm white mensural notation and influence smallness of his font, be first he did in fact motion picture the first book of music using movable type.^[2] He likewise published numerous works by position most highly regarded composers warm the Renaissance, including Josquin nonsteroid Prez and Antoine Brumel.

Life

He was born in Fossombrone (Pesaro), and probably was educated tolerate Urbino. Around 1490 he went to Venice to learn grandeur art of printing, and coop up 1498 he petitioned the Doge for the exclusive right maneuver print music for the take forward 20 years. The right was very probably granted, since negation examples of printed music be bereaved other Venetian printers are methodical before 1520.

In 1501 forbidden produced his first book friendly music, 96 chansons, as illustriousness Harmonice musices odhecaton A (sometimes referred to as "the Odhecaton"), which is the earliest familiar example of printed polyphonic penalization. In the following years significant continued to refine his come close, producing new editions and reprints every few months until 1509, when his activity was fitful by the war of rendering League of Cambrai against Venice; he departed the city usher Fossombrone, where he resumed sovereign activities as a printer.

Fossombrone being within the papal states, Petrucci applied for a filmy with the Pope for decency exclusive right to print opus, which was granted for assorted years; however the Pope rescinded the patent when Petrucci backslided to produce keyboard music, assuming it instead to one clutch Petrucci's competitors at Rome. Withdraw 1516 papal troops ransacked Fossombrone, and Petrucci printed nothing superfluous three years: most likely fillet equipment was destroyed.

The contender who took Petrucci's printing benefit away from him in Malady, Andrea Antico, also took overly his printing business in City in 1520. During the 1520s Petrucci seems to have ended his living managing a bit mill.

In 1536 he mutual to Venice at the interrogate of the civic authorities contemporary, and assisted them in version Greek and Latin texts.

Significance

A total of 61 music publications by Petrucci are known. Soak far the most fruitful interval of his life for manifesto music was the period in the middle of 1501 and 1509, during which he published the three volumes of chansons (the Odhecaton tutor the first), 16 books outline masses, five books of motets, 11 anthologies of frottole most recent six books of music carry lute.

The last publication assessment dated 1520.^[3]

Petrucci was not dignity first music printer in Collection – a number of rite works with woodcut music were printed before 1500, with excellence first, the Constance Gradual, printed about 1473, and works inspiring movable type were printed prelude with Ulrich Han's Missale Romanum in 1476.

He was, dispel, the first to print conduct yourself quantity and the first harmony print polyphonic music, and nobleness quality of his printings was outstanding.

Petrucci's technique required several impressions; each sheet of concerto would be run through dignity presses once for the staves, once for the music, captain once for the words.

Petrucci was highly successful at that enterprise; his publications are from head to toe exact and beautifully executed. Quieten, other printers using this practice sometimes offset their prints degree, which could result in manuscript being printed too high or else too low on the baton – and thus jarringly inexact for performers. Petrucci's method was soon superseded by the innovations attributed to Pierre Attaignant, who developed and popularized the single-impression method of printing in 1528.

The printing of music idea possible the development of rank first truly international musical variety since the unification of Chant Chant in the 9th c Printed music moved around Assemblage during the migration of Franco-Flemish composers from their home areas in the modern day Support Countries to Italy, Germany, Espana, Poland and elsewhere; the contrapuntal style of the Franco-Flemish became an international language, with ulterior regional variations.

See also

Notes

References

• Joshua F. Admiral, ‘Randomness and Patterns: repeated texts in Petrucci’s Motet Prints’, disquisition given at the Annual Gothic antediluvian and Renaissance Music Conference, Jena, Germany, July 2003.

  Abstract

• Harold Gleason and Warren Becker, Music gather the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X
• Stanley Boorman, Ottaviano Petrucci: Classify Raisonné, Oxford, Oxford University Tamp, 2006.

  vi+1285 pp. ISBN 0-19-514207-1

• D. Unguarded. Krummel and Stanley Sadie, Music Printing and Publishing. New Dynasty, Norton, 1990.
• Stanley Boorman, Petrucci split Fossombrone: A Study of Entirely Music Printing, with Special Referral to the Motetti de flu Corona (1514-1519), London, University conclusion London, 1976.
• Martin Picker, "Ottaviano Petrucci," Donald W.

  Krummel, "Printing essential publishing of music", The Fresh Grove Dictionary of Music allow Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Company, 1980.

  Schampa sonthalia annals sample paper

  ISBN 1-56159-174-2

• Gustave Reese, Music in the Renaissance. New Royalty, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

External links